According to 9to5Mac, Apple TV abruptly pulled its French-language series The Hunt from its December release schedule and removed virtually all marketing material. The series was scheduled to premiere on December 3 with two episodes, having been announced on September 25 and receiving a trailer on November 6. Screenwriter Cédric Anger is accused of plagiarizing the 1973 novel La Traqué without acknowledging it as an adaptation. Both Apple and French film company Gaumont are reportedly considering legal action against Anger. This marks the second Apple TV drama to be pulled before premiere in recent months, following Savant’s indefinite delay in September.
The plagiarism bombshell
Here’s the thing about plagiarism accusations in the streaming era – they’re becoming increasingly common as platforms scramble for content. French journalist Clément Garin broke the story that The Hunt, originally titled Traqués in French, was allegedly ripped from a nearly 50-year-old novel. And Apple apparently didn’t discover this until the eleventh hour, after they’d already invested in production, marketing, and scheduled the release. Basically, someone dropped the ball on due diligence here.
Apple’s growing content headache
This is now the second high-profile cancellation for Apple TV+ in just a few months. Savant got pulled in September, though Apple at least confirmed they still plan to release it eventually. With The Hunt? Radio silence. That tells you everything you need to know about the severity of these plagiarism claims. When a company like Apple, which carefully cultivates its premium brand image, suddenly scrubs a show completely from existence, you know the legal exposure must be significant.
The streaming quality control crisis
Look, streaming services are pumping out content at an insane pace to compete. But when you’re moving this fast, quality control inevitably suffers. We’re seeing more and more cases where shows get pulled after production but before release – something that rarely happened in the traditional TV model. The pressure to fill libraries is creating situations where proper vetting gets overlooked. And honestly, who’s checking these screenplays against obscure 1970s French novels anyway?
What happens now?
So where does this leave Apple? They’ve got a completed series they can’t air, potential legal battles ahead, and another black eye for their content division. The Hunt joins the growing graveyard of streaming shows that never saw the light of day. Meanwhile, viewers who were looking forward to the series are left wondering what happened. It’s a messy situation that highlights the challenges of global content production in the streaming wars. When you’re sourcing material from international markets, the due diligence needs to be just as thorough as your domestic productions.
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